1980s arena rock; SSL-console bus compression, tight three-to-four-part stacked harmonies, high-tenor lead with piercing chest-to-head breaks and operatic phrasing; palm-muted power chords, wide double-tracked guitars, punchy pick-attack DI bass, bright-hammer alp organ, Ludwig-style kick and gated-reverb snare; four-on-the-floor stomp, sudden sparse piano-vocal drops and full-band returns, anthemic chord progressions, guitar solo, D#